Wild Gift signs Julian Marshall, Director of the Award winning George Floyd Documentary

Dynamic Young Filmmaker Behind Webby-Winning George Floyd Documentary Signs With Leading LA Production Company Founded by David Mitchell and Tomer DeVito 

Creative collective Wild Gift, home to some of advertising and entertainment’s most exciting storytellers, is pleased to announce that it has signed Julian Marshall, a much sought-after artist and filmmaker who was mentored by legendary artist Shepard Fairey and who created a passionate cinematic ode to George Floyd and the BLM movement. Marshall’s We Are George Floyd features powerful voiceovers by historian Cornel West and rapper Killer Mike and has been honored with multiple Webby Awards.  

A graduate of the Rhode Island School of Design (RISD), Marshall’s thesis project was the award-winning narrative short film Obey the Giant about the early life of Shepard Fairey and the origin of his Obey Giant street art campaign. His commercial career took off from there, and he’s since directed spots for Google, Under Armour, Amazon, Nissan, Jeep, Ford, BMW, Red Bull, Citibank, Verizon, Bayer, TNT, Tidal and many others. 

“Julian is a volcanic force,” said Wild Gift founder David Mitchell. “He is a master of stunning, breathtaking images and compelling narratives that capture the beauty, joy and drama of life. It’s amazing to watch him work, to see how deeply invested he is in the creative process, whether he’s directing an automotive spot, a sports campaign, lifestyle work or content for a good cause. He sees the wonder in this world and captures it like nobody’s business. Wild Gift is super excited to have him join our roster.” 

Based in New York City, Marshall is a Washington DC native who spent his formative years skateboarding at Freedom Plaza on the corner of 13th and E Streets, which he describes as “one of the street skating headquarters of the world.” At the age of nine, he dug up his parents’ Hi-8 camera and began shooting skate videos, “and it became an intense addiction from there,” he said. Marshall also became an avid snowboarder, hockey player, and Washington Capitals fan. His work reflects his interest and talents in sports as well as his abiding love of cars and a hands-on approach to emerging technology. 

“I grew up with a camera in my hands, as well as editing,” he explained. “I’m a very hands-on, technical filmmaker. I love the idea that you learn the entirety of the craft, then can speak a very direct language with everyone you’re collaborating with.” 

About joining Wild Gift, Marshall said: “David reached out to me for a chat and we ended up spending most of the time talking about our favorite movies. Our personalities clicked. He’s worked with legends in the industry who’ve inspired me throughout my career. And he’s partnered with Tomer DeVito who I met a few years ago and also hit it off with. Everything came full circle. We aligned creatively and also culturally. It goes without saying that this business is all about relationships. So much of my ad work has come from building community and I’m excited to continue this momentum with Wild Gift.”  

“There are certain things that naturally come out in my work but for me the most important thing is how I’m making people feel,” Marshall added. “Everything stems from that. What am I trying to say? How am I trying to say it? And how is it going to make people feel? Everything else flows from there. I strive for emotional immersion, making the viewer a participant in the story .” 

About Wild Gift

We’re a full-service production company specializing in branded content across all platforms. Really though, that’s probably the least interesting thing about us. Better to let you know that we’ve staffed our company with people who, in addition to being amazing, are just plain decent. If you get to know us a little better, you’ll see that we run our company consciously and considerately, making it a point to champion marginalized voices and stay firmly committed to social responsibility. And if you stick around, you’ll see that our MO is pretty simple: to treat every project like it matters, applying the same level of focus and passion regardless of scope. Because prestige projects are nice and all, but racking up bonafides is the least of our concerns. We’d rather work on stuff that inspires us, with good people who get who we are and what we do.

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